At the end of last year, top-shelf San Francisco reissue label Superior Viaduct rereleased the first three albums by Sicilian-born musician Franco Battiato. His name might not ring a bell for many Americans, but in Italy, Battiato’s something of a legend: an avant-garde pioneer who became a mainstream superstar.
Perhaps the overall appeal of his output in total—starting with his frisky pop singles from the 1960s to the adult contemporary-leaning work of his later years—will never be anything but intrinsically Italian.
