Isabella Rossellini unveils the quiet influence of women in the Vatican in "Conclave" movie

Dec 31, 2024 471

In the mystery thriller Conclave, Italian American actress Isabella Rossellini portrays Sister Agnes, a nun who plays a pivotal role during the secretive process of selecting a new Pope. The film delves into the clandestine world of the Vatican's papal conclave, shedding light on the subtle yet significant influence of women within the traditionally patriarchal institution of the Catholic Church.

Sister Agnes oversees the Casa Santa Marta, the residence where cardinals are sequestered during the conclave. Despite the Church's male-dominated hierarchy, Rossellini emphasizes the "silent authority" that women like Sister Agnes wield. She notes, "The Church is traditionally patriarchal, with men making all the decisions... Women have a subservient role, but they don’t lack authority. You can have authority even in silence."

The narrative centers on Cardinal Lawrence, portrayed by Ralph Fiennes, who is tasked with managing the conclave following the unexpected death of the Pope. As he navigates the political maneuvering and personal ambitions of his fellow cardinals, he grapples with his own crises of faith. Sister Agnes emerges as an unexpected source of insight, revealing the true nature of the men vying for the papacy.

Conclave has garnered critical acclaim, securing six Golden Globe nominations, including Best Motion Picture – Drama, Best Director for Edward Berger, Best Actor for Fiennes, and Best Supporting Actress for Rossellini.

Rossellini, daughter of Swedish actress Ingrid Bergman and Italian director Roberto Rossellini, brings a personal connection to her role. Raised in Rome, the epicenter of Catholicism, she attended Catholic school, where she observed the authoritative presence of nuns. She reflects, "I went to Catholic school and the nuns at the school had great authority. My mum... reminded me very much of the nuns. They both chose the life they wanted."

The film explores the human complexities within the clergy, highlighting how individuals reconcile personal behaviors with Church doctrines. Rossellini shares a personal anecdote about a close friend: "One of my best friends is gay and has been married to his husband for 40 years... He believes in God, he’s religious. He shows that it’s possible to live with contradictions."

Fiennes, who portrays Cardinal Lawrence, discusses the internal struggles faced by his character. He describes Lawrence as someone with monastic inclinations who is suddenly thrust into a position of power following the Pope's death. Fiennes notes, "He’s in a state of grief... On top of that, he encounters these moral, ethical questions about the conduct of his colleagues. And, of course, he encounters his inner ambition."

The film delves into themes of faith, doubt, and the intricate dynamics of power within the Vatican. Rossellini's portrayal of Sister Agnes underscores the nuanced influence that women, though often in the background, exert within the Church's hierarchy. Her character's silent authority challenges the perception of women's roles in the Vatican, highlighting their integral presence in the institution's inner workings.

Conclave offers audiences a glimpse into the secretive process of papal selection, while also prompting reflection on broader issues of faith, authority, and the evolving role of women within the Church. Through compelling performances and a thought-provoking narrative, the film invites viewers to consider the complexities and contradictions inherent in religious institutions and the individuals who navigate them.

As the film prepares for its release, it contributes to ongoing conversations about representation and the acknowledgment of women's contributions within traditionally male-dominated spheres. Rossellini's Sister Agnes serves as a testament to the enduring impact of women's silent authority, both within the Vatican and beyond.

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